Great Scenes From Shit Films, Part 7: Friday the 13th Part VIII: Jason Takes Manhattan

I love the Friday the 13th films to an almost psychotic degree but even I will admit that most of them are not good films. Fun films to be sure, but not good films. I’m not entirely sure exactly why I like them so much, there’s just something about the silent, plodding killer that I love so much. That and the sheer stupidity of the characters he kills. Perhaps my favourite example of this is in one of the earlier films. I’m not exactly sure which but I think it might be number two.

Whatever film it is doesn’t really matter, the scene is thus. Two characters are sitting downstairs playing a game, a boy and a girl. The boy is in a wheelchair. Take note of this because it’s very important. Any way, the two are flirting and generally having a good time when the girl decides to leave to change in a sexier pair of panties. While she’s away, Jason strikes killing the boy in the wheelchair. The girl returns and looks for the boy BY GOING UP THE FUCKING STAIRS! She leaves a boy in a wheelchair by himself and figures that he must be waiting UP THE FUCKING STAIRS for her. She is quickly despatched and frankly deserved it for her stupidity.

But we’re not here on Halloween to talk about whatever particular film in the series that was. We’re here to look at perhaps one of the worst films in the entire series, Friday the 13th Part VIII: Jason Takes Manhattan, a film only really outshone in awful by part IX: Jason Goes To Hell. Christ, not even the messiah himself, Billy Dee Williams, could save that piece of shite. On to Jason taking Manhattan.



So part VIII begins, after a montage of the seedier side of New York, with Jason once more being resurrected and immediately sets about doing what he does best, despatching horny teens. Oh Jason, you loveable rogue! Is there a sexually adventurous teenager you won’t massacre? Anyway, it turns out ol’ Camp Crystal Lake is getting a little tired and played out for everyone’s favourite zombie serial killer. He wants to slay in the city that never sleeps! He hitches a ride on the cruise ship Lazarus bound for the Big Apple at… Crystal Lake harbour? I’m not entirely sure when Crystal Lake became connected to the sea but apparently it is. Hooray! Also aboard is Renee, a girl with a pen and a troubled past, and Sean, the ship captain’s son with a sexton and daddy issues. There are of course also your generic machete fodder. There’s 80’s rock chick JJ, film nerd Wayne who looks and sounds a bit like Matt Damon and Julius the boxer and two girls who do coke. There’s also high school teacher Charles who also happens to be Renee’s creepy uncle and Salty McSeadog (Actual character name may differ) who claims the ship is doomed.

So Renee has a few visions about drowning and the young Jason Voorhees, made worse when she falls overboard, Jason goes around ridding the world of a few pointless background characters and stereotypes and one of the cokeheads tries to seduce creepy uncle Charles whilst Wayne films in an effort to get out of handing in a biology paper. She is soon after taken out by Jason.

A storm hit’s the boat and Jason kills the ship’s captain and his first mate, making the journey that much more treacherous. Sean discovers his dad all dead and that and takes command through whining. It is now 40 minutes into the film and I’m guessing Jason killed the crew as he was pretty pissed off that it was taking them so long to get New York. He really wants to stray around the very heart of it. Salty McSeadog goes on about Jason Voorhees, claiming every one will die. He’s clearly a bottle o’ rum half-empty kinda guy. Anyway, Jason kills a few more folks including the other girl who does coke and Wayne. The rest of the gang decide to try and take Jason down, gathering as many weapons as they can. They fail and abandon ship, finally reaching New York and hour into the film with about half an hour left, Wow, Jason really has to tighten up his game if he wants to take Manhattan.

The survivors are captured by a New York street gang but are rescued when Jason shows up and begins killing the gang members. Has Jason finally changed his ways? Is he becoming the superhero we all knew he was deep down inside? No, he just loves killin’ folk. He’s been doing it for a while and sometimes hobbies are just impossible to give up.

Jason now hunts down Julius who decides to fight the big gut on top of a roof top in a scene which may or may not be at the end of this blog post. Ok, it will be. It’s great. Seriously. This one scene almost makes up for the rest of the movie for me. Julius’ determination, Jason standing there and taking it and it’s inevitable yet awesome conclusion make this film worth renting at least… though since I’m going to show you the scene, I wouldn’t bother. Nothing else is really worth seeing.
So from down here it’s all down hill. There’s a flashback in which Charles explains Jason drowned because he never learned to swim and that he’s still down there, ready to drag people down if they can’t swim. He then chucks her in the lake and tries to force her to learn, explaining her uninteresting back story of being afraid of water. Sean and Renee run off, leaving Charles to Jason’s capable hands. Jason drowns Charles, which I guess is supposed to be irony or karma or something.

Renee and Sean run to the subway, Jason chasing them and apparently not being that big of a shock to New Yorkers. Guess they have seen a lot what with giant gorilla attacks, alien invasions and all manner of things that’d make someone from a smaller town at least raise an eyebrow. Jason gets shocked on the subway track and our two, sigh, heroes are safe to explore New York. Except this is a Friday the 13th film and there are still 15 minutes left! Jason is still alive! I for one am surprised.

He chases them across what I think is Times Square where he freaks out some punk kids by lifting his mask. I for one am annoyed with Jason. Where’s the bloodshed, bro? Where’s the wanton slaughter? Has the franchise grown so tiresome that even you are bored of it all? No matter, Jason still has two more victims in his sights before he retires, moves to Florida and spends his last days playing Bingo.

They escape into the New York sewers, which makes perfect sense. If I had an unstoppable killing machine after me, I’d head into a dimly lit, underground maze. As they flee, they run into a sewage worker who explains that in ten minutes the sewers will be flooded with toxic waste, just like they are at every night at midnight… New Yorkers, is this true? If so, why? Is it to kill of all those alligators that live down there? Perhaps a mutant turtle eradication programme? If I may be so bold as to make a suggestion, maybe you wouldn’t have such a high ratio of mutated animals living in your sewers if you didn’t flush them with radioactive goop every night.

Anyway, Jason shows up and kills the sewage worker and is about to kill Sean when Renee attracts his attention with a flashlight. Apparently, Jason has the same mental capacity as the T-Rex from Jurassic Park, even though earlier he was seen to be working out elaborate ways to kill his victims bringing his intelligence level at least up to that of the Velociraptors in Jurassic Park 3. Renee runs away with Jason following, leaving Sean unconscious in a tunnel that is about to be flooded with toxic waste in a matter of minutes. Plan. She stumbles across a toxic waste barrel and throws it in Jason’s face. Seriously New York, is toxic waste really that big of an issue in your fair city that, not only must you flood your sewers with it on a nightly basis but you must also leave barrels of it lying around in aforementioned sewers? What The Fuck?

The toxic waste causes Jason to remove his mask, revealing his visage. It’s kinda hard to describe, something kind of like a cross between one of those old Madball things and a Garbage Pail Kid. If you’re too young to understand those references I’m sure the fount of all knowledge, Wikipedia will answer your questions. In my day we had to use real encyclopaedias and I can guarantee you that they didn’t have entries about old 80s toy lines. Anyway, here is a picture of Jason sans mask for your viewing pleasure:



As you can see it's pretty fucking terrible. Seriously fucking awful. Just plain shit. But it doesn’t stop there.

Renee comes back for Sean, they climb a ladder and leave Jason below as the, sigh, toxic waste begins to flood the sewers. As it does, Jason speaks. Yes, Jason speaks but only that, he sounds like someone trying to do a child’s voice but poorly. And what does Jason, who has been so silent for so long have to say to the world? “Mommy, don’t let me drown… mommy.” Well… that’s just great. I know it makes sense in the context of the series but still… It just… It’s just wrong. Jason then get’s hit by the toxic waste and is reverted back to his childhood form. Which makes no fucking sense but by this time you’ve been pretty much battered into submission by the films unrelenting stupidity and you just kind of accept it. And so Sean and Renee are free at last to go and be boring together. Whoop-de-fucking-doo. You know what, fuck it. Let’s just show you the last scene, courtesy of CampVoorhes.com. Consider it a Halloween bonus.



See! See what I mean! It fucking sucks! And what’s worse is it looks like Jason the child has a normal head. What the fuck is that about? Fucking hell!

Ugh. There you have it. So what have we learnt? Well, I personally have learnt that New York has a severe toxic waste problem that they can surely find better ways of solving than simply flushing it down the sewers. I’ve learnt that throwing your niece into a lake after telling her it’s haunted by a dead child is not the best way to teach her to swim. I’ve also learnt that, since most of this movie takes place on a fucking boat, it was severely wrongly titled. It should have been called something like Friday the 13th VIII: Avast Jason! Or Friday the 13th VIII: All Hands On Death! Or some such thing.

Let’s at least end things with a high note. I present to you, my favourite Friday the 13th death of all time, Jason Vs. Julius. Enjoy.

Great Scenes From Shit Films, Part 6: Pumaman

Ok, I promise, tomorrow will not be a movie featured in MST3K. In fact, it’ll be a super awesome Halloween special edition of Great Scenes from Bad Films! Awesome. But Mari Nickl reminded of Pumaman and I just had to include it. It was another great Mike era episode and this film really deserved the MST3K treatment. Allow me to elaborate.

The film opens with a paragraph regaling us with the Aztec legend of a God descending from the heavens, fucking an Aztecette and fathering the first Pumaman. Next we see a giant sphere approaching Stonehenge… I think. I’m not entirely sure because I just don’t see how Stonehenge could possibly fit in to Aztec legend. Anyway it’s probably not important. The aliens bequeath a mask to mankind, declaring that the Pumaman will look after it and that. This is followed by the credits in which the film’s big name, Donald Pleasence, has his name spelt wrong as Donald Pleasance. Well done movie.

We then meet a blonde lady archaeologist, intensely studying the aforementioned golden mask in modern times. Donald Pleasence enters, looking for all the world like a hideous, bald dominatrix, and basically asks her “How’s shit?” She turns around and answers “Shit’s good but don’t desecrate this mask otherwise the Pumaman will fuck you up.” Donald decides not to heed this careful warning and uses the mask to take control of blonde lady archaeologist’s mind. Oh Donald, you funky, cheeky monkey.

Anyway, I guess my first major question arises here. Why the fuck did the aliens leave a mask that gave people the ability to control the minds of other people? And I thought that the Pumaman dynasty was supposed to guard it always. Why was it not passed down the Puma family line?

The next scene shows a man being tossed out of a window, a newspaper revealing it’s the fourth American to be killed in London that week. It turns out that the person behind these slayings is the hero of our story, Vadhino (I must interject here and point out that I’m not saying he’s the hero because he is ridding London of Americans. Hmmm, shouldn’t have used the word ridding there, just makes things sound worse. My point is no one should be killed in London. Except for Luxembourgers. You know what you did Luxembourg!) and his next target is the film’s side-kick character, palaeontologist Tony Farms.

Tony ‘senses’ danger whilst being yelled at by his boss when Vadhino appears, steals a bone and Tony gives chase. Vadhino suddenly grabs him and chucks him out the window. Way to sense danger there Tony! When Tony survives, Vadhino tells him he’s the Pumaman and runs away.

Tony then meets blone archaeologist lady, Jane, and they ‘flirt.’ She invites him to a party laid out by her father. Alas! She’s still being mind controlled by Donald! Gasp! It turns out he’s controlling Jane’s father as well!

As Tony’s getting ready for the party, Vadhino shows up again and gives Tony the lame plastic belt that allows him to access the powers of the Pumaman! Which confuses me as it’s already made clear that Tony can survive falls and see in the dark. We’re also lead to believe he can sense danger but… Anyway, Vadhino explains that he knows Tony’s father which also raises the question as to why he didn’t look up where Tony Farms was, rather than going around tossing Americans out of windows. Guess it’s a hobby or something.

At the party, Donald turns up with a few henchmen and begins to stir up trouble when they attack Tony. Tony beats a few up or dances violently with them, it’s hard to figure out exactly which. Vadhino shows up, tosses Tony the belt allowing him to fly through the air… like a puma. The belt also gives him the lamest superhero costume since Robin decided little green underwear was a great look.

And so Tony flies. The effects are astounding. You’ll gasp in wonderment as Tony flies at all manner of angles, especially apparent when he drops a henchman, You’ll scratch your head in amazement Tony glides through the air with all the grace of an Aardvark tossed out of a helicopter. It truly is a thing of beauty.

So Tony tries to find out where the mask is by entering a trance and walking through a wall… like a puma. Or at least he tries but fails. Because if there is one thing that you will learn about Pumaman it’s that he’s the living embodiment of epic fail.
Jesus this is going on for a while. Ok, to cut a long story short. Donald has an evil plan, Pumaman tries to stop it, fails but thankfully Vadhino saves the day by not being Pumaman. At the end of the film Vadhino, Pumaman and Jane go to Stonehenge, which seems to be in an area which is certainly not where Stonehenge actually is. Vadhino claims that the the protection of the Gods has not failed since the day is saved though I must heartily disagree. The day was nearly lost because the stupid fuckers left the mind control mask on Earth in the first place… Twats. Anyway, Jane and Pumaman kiss and it seems apparent that the patter of tiny puma paws can’t be too far away. Eww.

Ok, sorry about that synopsis. I was watching the MST3K version, trying to ignore the riffs and focus on the film and I just completely lost track and the will to live, so I guess I have to add the same warning that I added to the previous two MST3K-inspired entries, do not watch without Mike and the Bots. Seriously. I think my left arm is tingling and I’m certain I feel chest pains.

What’s left to be said about this film? Well, as mentioned the special effects are awesome, though not just the flying effects. When Donald is taking over someone’s mind, the film wobbles, like water being sucked into the mouth of a goldfish’s mouth. That’s an odd analogy and that’s how this film has effected me. I’m also not sure whether Pumaman can phase through walls or just break through them. The special effects are that ambiguous!

One last thing of note is the music. Pumaman’s theme is a touching little number that will cause many to hold their hand over their heart and shed a tear for the Aztec Puma man-God who came to Earth to save us all from the mask left here by the Aztec Puma God for some reason.

One last thing, Vadhino would later appear in the second ever episode of the A-Team and get pummelled by Mr T. Good on him.

Well I’m exhausted. Couldn’t actually find any clips from a pure copy of the movie so here is a compilation clip from the MST3K version. I’m doing you all a favour, really.

Great Scenes from Shit Films, Part 5: Hobgoblins. Share

As with yesterdays entry into the hallowed halls of shit cinema fame, this entry came to my attention through the stellar work of the crew at Mystery Science Theater 3000. This film was in what is possibly my favourite of the Mike era episodes, in fact it would probably be my favourite of all episodes if not for Manos. Everything about this episode is great, the riffs, the host segments with classics like Crow’s ‘In Search Of…’ style programme about women to the cardboard cut-outs of the crew singing about Hobgoblins. One particular scene of note is the ‘interview’ with director Rick Sloane during the films end credits.

Still, this isn’t supposed to be about MST3K, it’s supposed to be about the movie itself. It’s about a number of small beasts from space who can make peoples fantasies come true with TERRIFYING consequences.

The film begins with an elderly security guard and his young helper doing a check of the old movie studios where they work. They go their separate ways and the younger of the two gentlemen opens a vault. Inside he suddenly finds himself on a stage where he begins… well I guess you’d kinda have to call it singing really. Suddenly he falls from the stage and dies. The older security guard, Mr McCreedy, discovers his body and shuts the vault door.

Our… well I guess you’d kinda have to call him hero really, Kevin takes the dead dude’s job so he can impress his frigid bitch of a girlfriend Amy because as every man knows, nothing impresses a woman more than taking a job which means you’d have to spend most of your nights away from them and most of your days sleeping. Good thinking Kevin.

After his first night he comes home and finds Amy hanging out with uber-slut Daphne and effeminate Kyle. Daphne is a classy kind a girl, wearing a condom in a packet around her neck and Kyle is a stylish fellow in his little red shorts. Amy is dressed like she doesn’t want to have sex with anything. Ever. Daphne’s boyfriend Nick, a soldier type, arrives later and challenges Kevin to a fight. The weapon of choice? Garden utensils! In what was rated as the most epic fight scene until Gladiator came along, Kevin and Nick duel it out for some time until Nick just manages to get the upper hand. Nick gets his reward by fucking Daphne in his van, whilst Amy takes the piss out of Kevin. In the background Nick’s van can be seen bouncing up and down with hilarious cartoon bouncing sound effects! Rick Sloane is a cinematic genius.

The next night Kevin chases a burglar into the vault that the dude had died in earlier unwittingly releasing the titular Hobgoblins! Oh Noes! WTF? I can has Cheeseburger?… Sorry, not sure what happened there. Anyway McCreedy provides the creatures back story and explains they can make people see what they most wish for though they do kinda accidentally kill them in the process. And so our mighty hero Kevin goes to stop the evil beings and save the friends that frankly no man deserves!

The Hobgoblins head straight for Kevin’s house, perhaps wanting to leave him a thank you note for freeing them after all this time or perhaps smelling Daphne’s rancid pheromones from miles away and they are just looking for an easy lay after such a long time in the vault. Either way they happen upon Kevin’s chums whilst they are…well I guess you’d kinda have to call it partying really. The hobgoblins manage to lure Daphne out of the house with an exact replica of Nick’s car horn. Having never met the man and having been locked in a movie vault, I can’t help but wonder how they know the sound of his horn or where and when they purchased such an item. Anyway, one of the hobgoblins tries to kill Daphne but she fights them off with a rake. Garden utensils would have made Lord of the Rings way more awesome.

Meanwhile, Kevin is calling a phone sex line, when he is told the woman he’s talking to is right outside. He takes her to the make-out spot of the city, with signs denoting where people should park depending on what kind of sexual activity they plan on engaging in. I’m sure the city council are very pleased with such a well organised make-out spot. The woman tries to push the car off of the make-out spot cliff with Nick still inside it until Kevin shows up and kills the hobgoblin generating the fantasy. The car still goes over the edge and the two characters are left standing there, watching the terrible fire which seems to have all the intensity of two torches being shone into the actor’s eyes.

Whilst this is going down, Amy heads to Club Scum to become a slutty, slutty stripper. (Point of interest: The man who plays Club Scum’s host would go on to voice Cosmo in the Fairly Odd Parents.) She demands to be degraded until Kevin and friends show up to kill the hobgoblins. The club is thrown into chaos and Nick begins to fantasize that he’s in combat. He manages to set himself on fire by jumping on a grenade… damn that’s stupid.

The surviving friends go to tell McCreedy that they’ve killed all the hobgoblins but Kevin is confronted by the burglar he chased before. A fight breaks out and Kevin wins, impressing Amy at last. Maybe now she will have sex with him. Good for them. But what’s this? The burglar has a gun! He’s going to shoot Kevin! Will he never get his end away? Thankfully McCreedy shoots the hobgoblin which is causing Kevin’s fantasy and the future conquest of Amy by Kevin seems assured. Kyle makes a move on Daphne who seems willing, probably because she’s a whore and not even little red shorts will put her off. Unfortunately for Kyle, Nick shows up covered in bandages. He and Daphne retire to the van which begins bouncing with those same cartoon sound effects and the future conquest of Kyle by Kyle’s hand seems assured.

The rest of the hobgoblins run into the vault and McCreedy blows up the studio, a plan the old man who spent his entire life guarding them for the sake of mankind must have really wished he’d thought up earlier. The End.

Well there you have it. Once more, as with yesterdays pick, I recommend you only watch this film with the appropriate MST3K riffs. Doing otherwise will release the hobgoblins. Oh an rest assure, the hobgoblins will ride again regardless with the soon to be released, direct-to-DVD sequel, Hobgoblins 2. Hooray!

So, what scene? Well there can only be one choice really. Enjoy.